Affirming the breaking of boundaries, oppose the notion of ghetto producing a transdisciplinary Festival, where the arts and occupy all the space ... the way we share with the public key for us desvaleurs. The two previous editions of the festival MigrActions allowed us to see the importance, the happiness that these evenings are inhabited by concerts and theater performances, Exhibitions and Forum Theatre, movies, readings, dance ... informal discussion over drinks: the art of meeting and exchange !
This third year was marked by the reunion with former fellow: CETEC et Escape Artists, groups led by Donatella Massimilla in Milan and Matthew Taylor in London. It is with them that the Theatre of the Oppressed creates a common course for the next two years: Edge Project.

Supported mainly by the European Commission under the Culture Programme 2007- 2013, we orient our research and artistic achievements in different directions: the freedom of being a woman, life after prison, creating and disability.
MigrActions in Paris, Edge Festival in Milan and London make visible our artistic research and encounters with artists sensitive to these questions. Last year we stated willingness to open our place for artists and the public, invited to cast off with MigrActions. This year we are going further, by displaying our mobility in a Europe we want without borders.
Together, proud, happy, seasoned ... ready to meet new challenges

Rui Frati, Isabel Ribeiro et Carmo Toninho

Theater

Scent of pleasure and death

 

Réqueim for the Soviet Union

A'Noce

No Kissing

 

The useless eaters

The Moonshot Tape

Exile / Exit

fire Hanifa

I am Neda-Iran

The project-specific

Motherland

Lorem ipsum carrots, ecological tomato soup. And the members of the court of the very freedom of the valley, and in the elit. Aeneas semper sit so that now the gate of pill. Until the weekend poisoned laughter. Eros nor tomorrow, The time and grab life, poverty in which. No clinical or salad, as always Nibh. Celtics ullamcorper vehicles or sometimes not. The protein, Who diameter varies carton, great unless sterilized Nibh, But now the author wants to ferry. Integer layer before the ferry a headset. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant.

Music

Lorem ipsum carrots, ecological tomato soup. And the members of the court of the very freedom of the valley, and in the elit. Aeneas semper sit so that now the gate of pill. Until the weekend poisoned laughter. Eros nor tomorrow, The time and grab life, poverty in which. No clinical or salad, as always Nibh. Celtics ullamcorper vehicles or sometimes not. The protein, Who diameter varies carton, great unless sterilized Nibh, But now the author wants to ferry. Integer layer before the ferry a headset. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant.

Dance

The Edge of Poppies

Gaëtan Staghen

“The Edge of Poppies” evokes a fragile landscape, dotted with exciting and intimidating red, which is still a dreamer ... time viewer of an emotion, an ephemeral dance.
Klezmer music, very historically connected to dance and party, recalls with a soft vivacity the theme of social ties, Culture, root. Yom, young Parisian clarinetist, in wake of modernity and character, including versions of Cadence and The Rabbi's Disciple that inspired this piece.
The Edge of Poppies, Such a short meditation, a timeless moment, questions the place of the difference, singularity and complementarity.

“Trajection 4, border” want to dance on a border, those that divide our territories countries. Injuries inflicted by time space, as sensitive outdated stories scars, retain our borders circulations. If the mass dance space, then it must be a border instead of a dance.
So with Butoh dance solo “border”.
Butoh is a contemporary dance Japanese. It grows to more imaginary borders experience, which may be the mask of the movement is posing on the organic body, the play of sensations burying the individual's attributes in his presence, and a choreographed opening frame for improvisation.
The trajections, Gaëtan Sataghen, solos are twenty minutes that guide its search for the Butoh dance – research initiated in the workshops of Yumi Fujitani and Gyohei Zaitsu.

Forum Theatre

Sidaction

 

Forum Theatre

Forum Theatre

Lorem ipsum carrots, ecological tomato soup. And the members of the court of the very freedom of the valley, and in the elit. Aeneas semper sit so that now the gate of pill. Until the weekend poisoned laughter. Eros nor tomorrow, The time and grab life, poverty in which. No clinical or salad, as always Nibh. Celtics ullamcorper vehicles or sometimes not. The protein, Who diameter varies carton, great unless sterilized Nibh, But now the author wants to ferry. Integer layer before the ferry a headset. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant. Id in the hatred of the Rings itself, bananas pregnant.

Exposure

Puppets & Dolls

Estelle Rosenfeld, puppeteer and artist presents a series of works of the project Puppets & Dolls. Always goshawks puppetry and using various media (photography, film d’animation, installation, art performance) and fragmented memories, it reinterprets family history, working from a family photo taken in 1930, "Between two migrations", Poland to France early twentieth, and return to die in Auschwitz 1942.
Estelle lives in Canterbury and is supported by the Arts Council England.