Presented at the Festival edition Migractions 2009, Exposure Vincent was a success FAURE, not only due to the aesthetics of his work, but also to the original appearance of their presentation. Two young dancers on stage, have manipulated, displaced, caressed and touched his sculptures with grace, on background music brilliantly interpreted by saxophonist and pianist Stéphane DEBUREAU Macha Gharibian.

Interview
– Your sculptures they leave more touching than to see?

– Yes I Will. We usually read “do not touch” the works. Moreover, we could develop this warning ; it is also the order of parents to their children : "Do not touch", and even : "Do not do that". But I am a liberal relative ...
To return to the works, it is sometimes explained in museums that the fatty substance that is found on the hands contains an acid which could, in the long run, damaging the sculptures, paintings and relics. It would start another debate if one spoke conservation œuvres.Disons, that generally, works of art not touch, and that's a shame !
My sculptures are given to the touch, as you say, or rather to take and handle. Which is caught obviously called hand - I love the obvious, and did not elaborate here erotic idea - so I fashions sculptures throughout the hand.
My idea is to look for some kind of anticipation of the object, finally, What is an object ? We can start by saying that an object is caught in the hand. It is a way to approach the subject and I take as a premise.
[This was how I start sculpting : make metal objects across the hand. I could have found another ladder on the same principle, ie across the fingers, or scale of an arm]
One might think that this principle is arbitrary but I, so to speak, "Invented" or without rigorous rational logic. I make these sculptures basing myself for the moment on this evidence.
For me, the view is not enough to make contact with the object. Contact, The word is said…